Eric Deggans

Eric Deggans is NPR's first full-time TV critic.

Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.

Deggans is also currently a media analyst/contributor for MSNBC and NBC News. In August 2013, he guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. The same month, Deggans was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." And in 2019, he was named winner of the American Sociological Association's Excellence in the Reporting of Social Justice Issues Award.

In 2019, Deggans served as the first African American chairman of the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.

He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.

From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.

Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.

Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.

Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.

It was 50 years ago today (Friday, Sept. 26) that the world was introduced to what may have been the oddest idea around for a TV comedy until Hogan's Heroes cracked jokes in a German prisoner of war camp a year later.

Yes, Hollywood wanted to make America laugh about seven people who got marooned on a tropical island. And that oddly endearing show celebrating its golden anniversary had an unlikely name: Gilligan's Island.

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MELISSA BLOCK, HOST:

This is what happens when voices that have normally been pushed to the background take center stage.

That's the reaction I usually offer these days whenever someone asks me about a race-based media firestorm — this time, in reference to the nuclear-sized backlash against New York Times TV critic Alessandra Stanley's bewildering commentary on Shonda Rhimes, one of the most successful showrunners in television history.

It's the TV's critics' version of the Super Bowl; or perhaps the Thunderdome.

More than 25 new shows will debut on network, cable TV and online this fall, starting this week. And if past results are any indication, very few of them will survive to a second season.

The very idea of a fall TV season — when the broadcast networks kick off most of their new shows and the 2014-15 TV season officially starts — sounds a little antiquated. Especially in a media world where fans can increasingly watch shows wherever they want, whenever they want.

The Cosby Show celebrates its 30th birthday on Saturday.

It was a monster hit inspired by the comedy and life experiences of its star, Bill Cosby, as shown in the new biography Cosby: His Life and Times. In the book, author Mark Whitaker makes a strong argument that Cosby's comedic style and approach to race issues turned The Cosby Show into television's most quietly subversive program.

It seems some TV networks have gotten the message on late-night diversity and others have not.

Friday's news — that Saturday Night Live hired comic Michael Che to join Colin Jost behind the anchor desk on its popular "Weekend Update" segment — shows NBC's venerated late night comedy franchise may, finally, stand among those in the first group.

The View just made history in naming Rosie Perez as a new co-host of ABC's daytime chat show.

ABC revealed Wednesday that Perez would join former GOP strategist Nicolle Wallace, teaming with stars Rosie O'Donnell and Whoopi Goldberg when The View's new season debuts Sept. 15.

In hiring Perez, a Brooklyn-born daughter of Puerto Rican parents, ABC did something new: It named the first Latina as a regular co-host in The View's 17-year history.

Which raises an important question: Will it matter?

No one transformed bad times into sidesplitting comedy like Joan Rivers, who kept audiences laughing through a 50-year career that included bankruptcy, getting banned from The Tonight Show and seeing a husband commit suicide.

She even built a standup routine around caring for a handicapped boyfriend.

How much football is too much for TV?

That's the question CBS and the NFL may face Sept. 11, when the curtain rises on their ambitious experiment to build a new broadcast television home for pro football on Thursdays.

When it comes to original TV series, it's tough to understand exactly where Amazon is going.

At first, its strategy seemed simple: It went where big-ticket competitors like Netflix and HBO didn't, greenlighting comedies like Garry Trudeau's political satire Alpha House and the Silicon Valley series Betas, along with a raft of kids' shows.

For TV critics, last night's Emmy Awards show was a bit like seeing an old flame promise to treat you better, only to slide right back into the same old disappointing behavior.

TV's longest-running science fiction program is about to get a new hero ... sort of.

In keeping with its recent tradition of drawn-out, publicly humiliating anchor switches, NBC has finally admitted it is replacing Meet the Press host David Gregory with the network's political director, Chuck Todd, on Sept. 7.

The switch had been rumored for months, as it became increasingly obvious that the Gregory-led Meet the Press was sinking in the ratings and failing to set the news agenda in ways it did when the late Tim Russert was at the helm. Gregory took over the show in 2008 after Russert's sudden death.

For many years, Robin Williams seemed like a talent who had no off switch.

From his standup comedy work to TV roles to talk show appearances to Oscar-caliber movies and performances on Broadway, Williams was a dervish of comedy — tossing off one-liners, biting asides and sidesplitting routines in a blizzard of accents, attitudes and goodhearted energy.

The voice came from over my shoulder, a shouted greeting in a room crowded with journalists, publicists, network executives, producers and stars.

I tuned to see David Boreanaz, star of the Fox TV show Bones, calling out to me like a long-lost friend. I knew he had mistaken me for someone else — in a party held by Fox at the exclusive Soho House club, where everyone from Kelsey Grammer to David Tennant was sipping cocktails and talking shop, it wasn't hard to make that kind of mistake.

I didn't know, watching Isaac Hayes push James Garner around on The Rockford Files, that I was seeing a special character continue an important television legacy.

All I knew, as a devoted fan of Garner's put-upon private eye, was that Jim Rockford seemed like a kind of hero you never saw anywhere else on television.

There are things you could quibble about in the array of nominations announced today for the 66th Primetime Emmy Awards.

No best drama series nomination for CBS' The Good Wife, though several stars got acting nods. No acting nomination for Orphan Black star Tatiana Maslany, though she plays about eight different roles on BBC America's clone-focused adventure drama. No best variety show nod for John Oliver's increasingly stellar Last Week Tonight on HBO. And a best TV miniseries nod for Lifetime's dreadful Bonnie and Clyde?

Diane Sawyer will leave her job as anchor of ABC News' flagship program, World News, during the last week of August, capping a five-year run at the show and kicking off an anchor shuffle at the network.

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