Jewly Hight
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A contemporary brass band that grew out of one of Nashville's historically Black universities is helping to expand the lost musical identity of the country capital.
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The mostly white country and folk music industries remain frustratingly difficult for Black musicians to enter. During one of Nashville's biggest events, one group envisioned a new pathway in.
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Madi Diaz had much to process leading up to her new album, History of a Feeling: moving home to Nashville from L.A., reestablishing herself as a solo artist and splitting from her partner.
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Dierks Bentley and his band tapped into a long tradition of comedy and country music when they created a parody group to open for them on tour. Now, Hot Country Knights has a debut album.
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There really was no precedent for Maybelle Carter, who learned to play from her own mother and spent much of her life teaching her children — as well as generations of country stars that followed.
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In the '90s, Brooks & Dunn helped to broaden country music's audience with its embrace of a wide range of sounds and on-stage spectacle. 25 years later, their influence is everywhere in Nashville.
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Auerbach breaks down working with new artists and seasoned session players through his label imprint, Easy Eye Sound.
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On her bustling third album, the former Carolina Chocolate Drops member maps her vision of the Afro-Caribbean diaspora while gently taking Anglocentricism (and capitalism) down a notch.
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Though each of Front Country's five members has had a vastly different musical education, they all share a no-rules approach to modern bluegrass that honors the craft of pop music.
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The Nashville country pop band doesn't have a single lead singer; they take turns, which opens artistic and emotional possibilities. The band recently released its sixth studio album, Pain Killer.